Don't have an ? This chapter analyzes Nouri Bouzid's Bezness The film directly confronts the subject of columbia Tunisians who work as sex hustlers on the streets and beaches of Tunisia's prostitution towns and is additionally interesting for the way in which it invites the viewer to see the film as emblematic and allegorical of Tunisia's precarious economic sousse cultural position in a rapidly globalizing world. Like a professional Orientalist, the Frenchman wanders about the city, avidly taking photographs of its inhabitants. Khomsa becomes his favorite photographic subject, as he finds himself touched by her and drawn toward her ambivalence.
She is half-attracted and half-repelled by his increasingly relentless pursuit of her, which is both a seduction and, it comes to seem, a perversion. Keywords: Nouri BouzidBeznessTunisian menhustlerstourist townssex workersTunisian cinemaTunisian films.
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New Tunisian Cinema: Allegories of Resistance. Find in Worldcat.
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